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Communities and Communication - Festival part only

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Opening Video: Martin Jones

Opening with Martin Jones

FILM SUBMISSION: Juan delGado

In the Shadow of the Midnight Sun

FILM SUBMISSION: Cesar Gamboa

Latin American Motorcycle Association, San Jose (06:34)

FILM SUBMISSION: Bo Kyeong Kim

The Tax (20:19)

FILM SUBMISSION: Nikolai Karamyshev

The Permanent Mark (06:25)

FILM SUBMISSION: Alejandro Arteaga Jurado

Hero on the Bench (12:00)

FILM SUBMISSION: Luca Gaetano

The Many Pink Triangles (27:44)

FILM SUBMISSION: Gili Shani

O' my Mind (07:53)

FILM SUBMISSION: Julie Gaston

294 Notes (5:00)

FILM SUBMISSION: Charlotte Dean and Lisa Jones

Just Like our Lives (03:13)

FILM SUBMISSION: Luis Carlos de Alencar

Invisible Men (25:53)

FILM SUBMISSION: Cédrick Spinassou

An Exceptional Day (04:15)

FILM SUBMISSION: Cara Urban

Transalp Waterline Tour (04:00)

FILM SUBMISSION: Elia Kalogianni

Soldier 365 (06:53)

FILM SUBMISSION: Justin Fountain

Only Music // Alaska

FILM SUBMISSION: Eirik Tveiten

Hassan (15:00)

FILM SUBMISSION: Thorsten Englert

Nug (22:22)

FILM SUBMISSION: Timucin Ipekusta

62-84, I Didn't Copy That, HQ (15:00)

FILM SUBMISSION: Saleksa Srengenge

Anak Merak (60:00)

FILM SUBMISSION: Adrián Ramos

The Last Celebration (17:00)

FILM SUBMISSION: David Munoz

A Throne for Miss Ghana (14:09)

FILM SUBMISSION: Shabir Anees

The Man with 366 Dollars (03:00)

FILM SUBMISSION: Marco Huertas

Navras (15:00)

FILM SUBMISSION: Lida Fazil

This Side, Other Side (08:51)

FILM SUBMISSION: Stefan Teofilovic

Sorrow (06:20)

FILM SUBMISSION: Alessia Bottone

My Father's Naples

FILM SUBMISSION: Leontien Brondijk

FC the flying away birds (06:08)

Martyna Dudziak-Kisio (University of Warsaw)

Grassroots aid initiatives established in response to the COVID-19 pandemic. Case study from Poland

Natalia Kowalska-Elkader (University of Lodz)

Form, genre, experiment – the structure sound art

Joanna Mikosz (University of Lodz)

Promoting Polish print media

Mohammadreza Mazarei (Staffordshire University)

Immersion in VR Movies: How Non-Experienced Audiences Identify Themselves in Virtual Environments

Chikadibia Franklin Chukwuma (Staffordshire University)

Social Network Formation and User Belief Profiles

Evelina Kristanova (University of Economics and Human Sciences in Warsaw)

Models of Catholic Socio-Cultural Periodicals in the Second Polish Republic, illustrated with the example of Kultura (1936-1939), Tęcza (1927-1939) and Verbum (1934- 1939). Visibility and identity in communities on the Internet

Iwona Grodź (Independant Researcher)

ARTIST – FILM - COMMUNICATION

Barbara Sitko (The Pontifical University of John Paul II in Krakow)

Communication of the animal activist community on the example of Open Cages Association

Drishti Rakhra (St. Joseph’s College, Bangalore)

Re-reading Intimacy on Instagram