Back in 1857, a group of men and women founded The Atlantic magazine to share truthful, unbiased news and information with the public. Now, more than 160 years later, The Atlantic continues to cover news, politics, culture, technology, and more through both virtual media and their physical magazine.
Every year, they host The Atlantic Festival, a live event that explores the ideas and news that shape the United States of America. The event features and showcases the core of The Atlantic’s journalism from that year.
This year, The Atlantic chose to transition The 2020 Atlantic Festival from an in-person event to a virtual event.
Throughout their 160+ year history, The Atlantic has always had high standards.
For their first virtual festival, they wanted to create an unparalleled virtual experience that felt like the in-person events they hosted in years past.
In the spring of 2020, The Atlantic started searching for a virtual event platform. Their main objective was finding a platform that wouldn’t crumble under the weight of 40,000+ attendees.
After having major concerns over the reliability of one platform they tested and after interviewing numerous other virtual event platforms, they found Hopin.
The Atlantic Festival took place over four days in September.
The festival had two ticket types — a limited number of free, general admission tickets and unlimited tickets for those who subscribe to The Atlantic.
Using Hopin’s Stage feature, The Atlantic created three unique, themed stages for the festival:
Between main stage events, The Atlantic scheduled a time for attendees to network using Hopin’s Networking feature, which pairs attendees for private, one-on-one conversations with both sound and video.
Wyler explains how, over the course of a few minutes, she had one-on-one conversations about weather and politics with two people from different sides of the United States.
The festival kicked off with Actress Anna Deavere Smith reading Martin Luther King Jr.’s Letter from a Birmingham Jail, which was originally published in The Atlantic in 1963.
Later on, the cast of the Broadway show Ain’t Too Proud: The Life and Times of the Temptations put on a performance from the show.
A subscriber-only session even featured The Atlantic’s crossword puzzle creator Caleb Madison. During the event, he explained what makes a good puzzle, how to build one, and the future of games at The Atlantic.
The first virtual Atlantic Festival was a goal-breaking, massive success.
In 2019, The Atlantic Festival drew over 3,000 guests for three days to Washingington, DC.
In 2020, the virtual Atlantic Festival saw over 37,000 registrants, exceeding The Atlantic’s goal of 15,000 registrants. Additionally, Wyler explains that the team was surprised by how engaged attendees were. “The engagement was phenomenal,” she says.
Wyler attributes the massive increase in registration to shifting the event from physical to virtual and consequently, making it more accessible to people from around the globe.
Due to how successful and wide reaching the virtual festival was, The Atlantic is considering hosting a hybrid virtual and physical event for all future festivals — once COVID-19 no longer limits in-person events.
When asked what is the most valuable thing that Hopin brings to the table, Wyler says: